WE WILL BE/ WHO WE WANT/ WHERE WE WANT/ WITH WHOM WE WANT/ IN THE WAY THAT WE WANT/ WHEN WE WANT/ AND THE TIME IS NOW/ AND THE PLACE IS HERE + THERE
+ HERE + THERE/ NOW NOW NOW...
from We Will Be by Lubaina Himid, 1883 (Working on finding an image :)
His Power
He Tames What is Wild
The Hunt
Is it by its indefiniteness it shadows forth the heartless voids and
immensities of the universe, and thus stabs us from behind with
the thought of annihilation when beholding the milky way?
Herman Melville, Moby-Dick
And at last she could bear the burden of herself no more. She
was to e had for the taking. To be had for the taking.
D. H. Lawrence, Lady Chatterly's Lover
She has captured his heart. She has overcome him. He cannot tear his eyes away. He is burning with passion. He cannot live without her. He pursues her. She makes him pursue her. The faster she runs, the stronger his desire. He will overtake her. He will make her his own. He will have her. (The boy chases the doe and her yearling for nearly two hours. She keeps running despite her wounds. He pursues her through pastures, over fences, groves of trees, crossing the road, up hills, volleys of rifle shots sounding, until perhaps twenty bullets are embedded in her body.) She has no mercy. She has dressed to excite his desire. She has no scruples. She has painted herself for him. She makes supple movements to entice him. She is without a soul. Beneath her painted face is flesh, are bones. She reveals only part of herself to him. She is wild. She flees whenever he approaches. She is teasing him. (Finally, she is defeated and falls and he sees that half of her head has been blown off, that one leg is gone, her abdomen split from her tail to her head, and her organs hang outside her body. Then four men encircle the faun and harvest her too.) He is an easy target, he says. He says he is pierced. Love has shot him through, he says. He is a familiar mark. Riddled. Stripped to the bone. He is conquered, he says. (The boys, fond of hunting hare, search in particular for pregnant females.) He is fighting for his life. He faces annihilation in her, he says. He is losing himself to her, he says. Now, he must conquer her wildness, he says, he must tame her before she drives him wild, he says. (Once catching their prey, they stop on her back, breaking it, and they call this "dancing on the hare.") Thus he goes on his knees to her. Thus he wins her over, he tells her he wants her. He makes her his own. He encloses her. He encircles her. He puts her under lock and key. He protects her.
(Approaching the great mammals, the hunters make little sounds which they know will make the elephants form a defensive circle.) And once she is his, he prizes his delight. He feasts his eyes on her. He adorns her her luxuriantly. He gives her ivory. He gives her perfume. (The older matriarchs stand to the outside of the circle to protect the calves and younger mothers.) He covers he with the skins of mink, beaver, muskrat, seal, raccoon, otter, ermine, fox, the feathers of ostriches, osprey, egret, ibis. (The hunters then encircle that circle and fire first into the bodies of the matriarchs. When these older elephants fall, the younger panic, yet unwilling to leave the bodies of their dead mothers, they make easy targets.) And thus he makes her soft. He makes her calm, He makes her grateful to him. He has tamed her, he says. She is content to be his, he says. (In the winter, if a single wolf has leaped over the walls of the city and terrorized the streets, the hunters go out in a band to rid the forest of the whole pack.) Her voice is now soothing to him. Her eyes no longer blaze, but look on him serenely. When he calls to her, she gives herself to him. Her ferocity lies under him. (The body of the great whale is strapped with explosives.) Now nothing of the old beast remains in her. (Eastern Bison, extinct 1825; Spectacled Cormorant, extinct 1852; Cape Lion, extinct 1865; Bonin Night Heron, extinct 1889; Barbary Lion, extinct 1922; Great Auk, extinct 1944.) And he can trust her wholly with himself. So he is blazing when he enters her, and she is consumed. (Florida Key Deer, vanishing; Wild Indian Buffalo, vanishing; Great Sable Antelope, vanishing.) Because she is his, she offers no resistance. She is a place of rest for him. A place of her making. And when his flesh begins to yield and his skin melts into her, be becomes soft, and he is without fear; he does not lose himself; though something in him gives way, he is not lost in her, because she is his now: he has captured her.

Our Nature
What is Still Wild in Us
Now we let the blood of our mother sink into this earth. This is what we will do with our grieving. We will cover her wounds with mud. We will tear leaves and branches from the trees and together pile them over her body. The sky will no longer see her fallen thus. we will pull grass up by the roots. We will cover her. Thus, as we do this, we know her body will melt away. And only her bones will remain. But these we will take. Still feeling her absence, we will cradle her tusks in our trunks, and carry them to another ground. And thus will this soil be absolved of her death, and the place of her dying be innocent again, and thus her bones will no longer be chaffed by violence done there. But though all traces of her vanish, we will not forget. In our lifetimes we will not be able to forget. Her wounds will fester in us. We will not be the same. The scent of her killer is known to us now. WE cannot turn our backs at the wrong moment. We must know when to trumpet and charge, when to recede into denser forest, when to turn and track the hunter. We feel the necessity of these acts in us. We will pass this feeling to our young, to those who follow in our footsteps, who walk under our bodies, who feel safe in our presence, who did we not warn them , did we not each them this scent, might approach this enemy with curiosity. Who imitate our movements and rely on our knowledge; we will not allow them to approach their enemies easily. They will learn fear. And when we attack in their defense, they will watch and learn this too. From us, they will become fierce. And so a death like this death of our mother will not come easily to them. This is what we will do with our grieving. They will know whom to beware and whom to fear. And this hatred that began to grow in us when we saw her body fall will become their hatred and no man will approach them safely. No man will come near them and live. We will not forget and this memory will protect them. What they have learned from us, all that we have taught them so that they can survive, how to suck up water into their trunks, how to pull down leaves from trees, how to life with their tusks, and dig holes by the river with their feet, all this they will pas on, and generation after generation will remember the scent of this enemy. This is how long our grieving will last. And only if the young of our young or the young of their young never know this odor in their lifetime, only if no hunter approaches them as long as they live, and no one with this scent attempts to capture them, or use them to his purpose, only then will the memory of this death pass from our hide. Only then will those wit the scent of her killer be absolved, as the soil is absolved, of her blood. Only then, when no trace is left of this memory in us, will we see what we can be without this fear, without this enemy, what we are.

There is a special place in hell for women who do not help other women.
~Madeleine K. Albright
Forest
The Way We Stand
The poor little working-girl who had bound strength to gather
up the fragments of her life and build herself a shelter with them
seemed to Lily to have reached the central truth of existance.
Edith Wharton, The House Of Mirth
The bank was dense with magnolia and loblolly bay, sweet gum
and gray-barked ash... He went down to the spring in the
cool darkness of the shadows. A sharp pleasure came over him.
This was a secret, lovely place.
Marjorie Kinnan Rawlings, The Yearling
The way we stand, you can see we have grown up this way together, out of the same soil, with the same rains, leaning in the same way toward the sun. See how we lean together in the same direction. How the dead limbs of one of us rest in the branches of another. How those branches have grown around the limbs. How the tow are inseparable. And if you look you can see the different ways we have taken this pale into us. Magnolia, loblolly bay, sweet gum, Southern bayberry, Pacific bayberry; wherever we grow there are many of us; Monterey pine, sugar pine, Torrey pine, Western red pine, Jeffry pine, bishop pine. And we are various, and amazing in our variety, and our differences multiply, so that edge after edge of this endlessness of possibility is exposed. you know we have grown this way for years. And to no purpose you can understand. Yet what you fail to know we know, and the knowing is in us, how we have grown this way, why these years were not one of them heedless, why we are shaped the way we are, not all straight to your purpose, but t ours. And how we are each purpose, how each cell, how light and soil are in us, how we are in the soil, how we are in the air, how we are both infinitesimal and great and how we are infinitely without any purpose you can see, in the way we stand, we each alone, yet none of us separable, none of us beautiful when separate but all exquisite as we stand, each moment heeded in this cycle, no detail unlovely.

Natalie Jeremijenko: Tree Logic, Mass MoCA, ongoing
pp 103-105, 217-218, 220-221 of Woman and Nature: The Roaring Inside Her by Susan Griffin